Live Lumadeski Review…

April 14th, 2010 | Posted by Drummer John

I am sitting in my living room and have had so much going on lately that I haven’t got to sit down and give this band the time I think they deserve.  In today’s day of Metal, it’s a most pit of what “metal” means to the individual.  Bullshit, metal is metal and Lumadeski is serving it up on a red hot platter.
Starting on their MySpace page, I chose Ultrabastard.  Wow, had to catch myself.  Wasn’t ready for that axeman’s skills right off the bat as it rips open to the raw sound that isn’t mistaken as any other band.  Lumadeski has their own sound but you do hear their influences.  I’ve had a friendship, internet, with the drummer, Max for almost a year now? maybe, and I have been listening to them and in my very honest opion, and yes I do get paid to think;} is that Lumadeski is gonna be a name remembered for a time to come! 
I love to do interviews! Artist are such great people that have so many ideas on so many things and it’s all mostly great!   An artistic mind has no limits, and it is very frustrating sometimes at all the time at the things we have buzzing around in our heads that a lot of “us” don’t find their niche to harness it and survive, the flip side of not doing what we do is a life of crime, I shit you not, lol!  I’ve seen it first hand.  So there is their first kudos from me.  Being able to bring this to the table and say, “Hey man, today really sucked ass and I just need to scream a minute. Cool? Cool!”   I asked Matt to send me some things to put into the interview and as I read, Max has sent a very, very good interview and I am going to just copy and paste some of it here so THANKS GUYS!!  I love everything you sent!  I’m gonna use it all!

Lumadeski Rocking it Out!

Link up with them on Facebook and Myspace!!!
Here we go everyone, Introducing…….LUMADESKI!!!!!!
BAND BIO:


LUMADESKI formed in the summer of 2009 in London and is a collaboration of 5 men from around the world, writing material and sharing ideas on what they believe to be a fresh approach to hard rock music. They encompass and almost religiously reference influences from their widely varied folk, rock, metal and post-punk backgrounds. These include the likes of Deftones, Mudvayne, Pantera, Propagandhi, A Wilhelm Scream, 36 Crazyfists, Slipknot all the way through to Neil Young, Silverchair, Rhinobucket, Calexico and many more. Their belief is that inferior, mass produced “popular” music is being forced upon newer generations of audiences and that the true creative emotion, technicality and art of creating music of any genre is getting slowly suffocated. They wish to contribute and produce on as large a scale as they can muster an alternative listening experience to many of these modern “artists”. They also wish to pay homage to the thousands of bands out there that have been creating amazing music over the years, and turned them into the people they are today.
The group are currently planning their next recording sessions for the end of April which at present should include five brand new tracks.

 MEMBERS:
Dev Maritz is originally from Johannesburg, South Africa and has been a session guitarist on the local and underground circuit playing with a wide array of artists and honing his self-acquired skills around many different styles.
Max Loubser also from Johannesburg is best known for his drumming collaborations with South African funk-rock legends Eight Legged Groove Machine (Later known as Wonderboom), Me and Mr Sane (with the well-documented song-smith Riku Latti), Damn the Icebergs, and the punk outfit Sundogs with his guitarist brother Conrad. He has appeared on many bills over the years alongside various artists including Ginger Baker, Simple Minds, Sting and Midnight Oil.
Kevin McCarthy is from London and was the driving bass force behind “Xperience” later becoming “Bushveld” in the late 90’s .A hard rock/indie outfit from SE London that played venues like the Rock Garden, 100 Club, Dublin Castle & many more.
Scott King (Sweetpea) grew up in Timaru, New Zealand where the learnt to ply his trade as a fast and edgy guitar player. He performed in a couple of extreme bands, most notably his spate with the illustrious “Papa Smurf and the Sex Offenders”.
Luke Dabbs hails from the “sunny” London Suburb of Hammersmith and is the definitive young guitar and vocal talent in the group. He perfectly compliments the more traditionally minded members song writing styles with a fresh and exciting outlook. Luke can also often be seen performing his solo material at open mic nights in and around London.
ON THE SONGWRITING PROCESS (LUKE):

The songs are influenced by the same angst and aggression which fuels a large number of modern rock and metal bands, but without the hopeless attitude perpetuated by a lot of screamo and metalcore acts. We don’t believe the world owes us anything, or that we’re being punished by life. The songs are about the tangible things; the people and the systems around us that cause us unrest or anger, and how we deal with that anger internally and externally. “Ultra Bastard”, for example, is about the facelessness of the corporations many of us work for; it’s about how many bands become cogs in the music industry’s money machine, and how fame and stardom are shallow aspirations forced upon us so that we eagerly strive to cash in on our talent. So many modern alternative bands seem to see music as a get-laid-quick scheme to fuck myspace girls, or a passport to cool backstage cocaine parties and MTV Cribs featurettes. They work themselves up for so long with these self-masturbatory fantasies that by the time a record contract gets tossed at them they’ll happily slice themselves open and sign it in blood before they even read a word of it.As a vocalist I say “Fuck that”. Music and lyrics are about expression and emotional experience, not popular culture clichés and name-dropping and made-up “life experiences” and stupid fucking party music trash. Lyrics should be like diary entries. They should be personal and relevant, and you should always write for yourself, not the listener. If somebody listens to it and likes it, that’s amazing, it really is. I get a little rush of excitement every time we get a comment on Twitter or Myspace saying someone’s into our music. But that’s not what we’re aiming for in the songwriting process. We’re not engineering songs to get listeners. If we’re having a good time and rocking the fuck out, that’s good music, whatever it sounds like.

 

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